This softens the morning, much in the way of other modifiers, but without the benefit of directionality. Softboxes come in a variety of shapes and sizes. Once attached to your light, a softbox acts to shape and soften the light to be more flattering. Softboxes also tend to be quite directional, and they are easy to control and further modify. Softboxes are the workhorse of the photographic studio, and they come in all shapes and sizes.
Strip boxes are softboxes, but they are long narrow rectangles that produce a much narrower beam of light. These are great for lighting a subject from behind for a rim lighting effect.
Striplights are a valuable type of softbox that offer very directional light. Also, a type of softbox, an octabox, is octagonal. The rounder light source helps shape the light for portraits. Octaboxes also tend to be quite large, making them an ideal modifier for portraits. The reflector is a modifier that goes directly on your strobe.
They channel the light at a specific angle for very directional light. They are also a challenging light source. Most are designed to take a variety of grids.
Reflectors, like this degree reflector, provide a very directional and complex light source. Snoots are modifiers that are designed to focus your light on a very narrow beam. They are great for both hair lights and background lights. Snoots direct your light into a very tight and controlled beam. Barn doors are fitted with two to four flaps for you to adjust the aperture the light is let through manually.
Beauty dishes are directional modifiers that are somewhere in between soft and hard light. They are great for beauty photography hence the name as well as fashion and portraiture altogether. They often come with grids and diffusion socks to give you even more options to use them. Beauty dishes offer a contrasty light somewhere between hard and soft. Grids are modifiers for your modifiers. Placed on a reflector, or softbox, or beauty dish, they narrow the beam of light further and help to ensure that the light is only falling on your subject or where you want it to.
Grids allow you to modify the directionality of your light further. A gobo is placed in front of a light source to change the shape of the morning. This can be as simple as narrowing the beam and be as complicated as creating complex patterns. The easiest way to explain this is to imagine a Venetian blind with light streaming through. Now imagine the design on the wall. The blind is acting as an effective gobo and shaping the light.
Colour correction gels are used when you need to correct the colour temperature of a given light. For example, if you have a gridded beauty dish that is particularly warm like mine , and you want to use another light as a hair light, that second light might be very relaxed compared to your key light.
By placing an orange CTO gel on your hair light, you can match and balance the colour output of both lights. You can also use gels towards a creative end.
You can gel your lights to produce just about any colour that you want to. Reflectors are an essential part of any studio kit. These allow you to reflect light from your crucial light back onto your subject. They are a means of creating a fill light without using a second dedicated light source. Reflectors come in many shapes and sizes, from the ubiquitous 5-in-1 reflectors to fancy tri-flectors sometimes used in beauty portraits.
Reflectors and diffusers are two vital tools for shaping and controlling your light in the studio. Also shown here is a reflector stand. Some diffusers do both. For example, use flags to help underexpose everything from the neck down in close portraits.
This helps to ensure that the face is the main focus of the image. While this list is not, and can never be, a complete list of studio lighting equipment, it should serve as a decent primer to get you started in the world of studio photography. Fashion design is a world of creative possibilities. Fashion designers should have a keen eye for colour, shape and trends. Students pursuing a degree in fashion design should be prepared to work hard and learn many skills, including draping, sewing and pattern making.
Although there are many benefits to a career in fashion design, no … What Are the Pros…. Read More ». A photo is a bit like many things in life: if you properly prepare a wall to be painted with a primer, the better and neater the results will be. If you have the proper recipe and good quality ingredients for a cocktail, the yummier it gets, right?!
Same logic here! The more the professional … Why Do You Need…. The ability to direct models any model in your shoot is key to any visual project. Your mission is not just to press on … How to Direct Your…. The more … How to Shoot a….
Portrait photography tips can run the gamut from simple tweaks to your camera settings to the seemingly impossible task of getting children to stay still. Although many photographers upgrade to a decent DSLR or mirrorless camera to give them more control when they take family portraits or pictures of friends, getting great shots of people … How Do You Take….
Sometimes it can feel like we take the same images time and time again! This is because of the soft, diffused light they provide.
This flattering quality of light works so well for most genres of photography. You can use it for everything from portraits to food. A strip box is a softbox that is rectangular and very narrow. It is ideal for photography where a long, narrow beam of continuous lighting is required, such as in liquor photography.
A popular option is the Godox strip box. It can also be used effectively to produce rim lighting when placed behind a portraiture subject. The beam of light is more narrow. Because of this, you can have more control over where the light falls when using a strip box.
An umbrella is another common modifier. They come in silver or white. The light is shot into the umbrella to reflect back into the scene. This helps you create a larger and thus softer light source. A shoot-through umbrella is made of translucent material. You also shoot into this umbrella to achieve softer light. This is a preferred modifier used by famed portrait photographers like Annie Leibovitz.
They use it for the incredibly soft light it provides. In the case of portrait photography , this can be very flattering. With other types of photography such as food or product , the lighting might be too flat. A beauty dish is a great modifier for portrait, beauty, and fashion photography. A beauty dish will help you sculpt facial features and create beautiful catchlights. It illuminates light from all angles due to its unique shape. You can buy a collapsible beauty dish, such as the Fovitec collapsible beauty dish , for easier storage.
With a beauty dish, the light wraps around the subject. It creates both beautiful shadows and highlights. When you buy a strobe light like a monohead, a dish reflector is often included. They are a standard lighting modifier that attaches to your strobe.
They are not useful for a wide variety of genres in photography. They create very hard, directional light. Typically, they are used with a variety of grids, as seen below. Grids come in several sizes and forms. They are a type of attachment you can use with other modifiers to create lighting with a larger degree of contrast.
Some of these grids are made of a hard material and can be attached to a dish reflector or beauty dish. Or they can be soft and attach to the front of a softbox or stripbox. In the case of a hard grid, they often come in a honeycomb pattern and in different sizes.
The purpose of a grid is to add contrast and control the quality of light and the area of coverage. A snoot is a very specific modifier that allows you to create a very focused beam of light.
It is most useful for tabletop photography when you want to shine a focused light on a very specific area. You need several accessories that will allow you to get the best out of your lighting.
Here are the basics:. C-stands Century stands are a must in every studio. They are used to set up your modifiers, hold reflectors and diffusers, or even rig your camera over your set. The Kupo C-stand is popular. Every pro photographer has several c-stands in their studio. For big jobs, they rent even more.
A light meter will allow you to see if there is enough lighting falling on your scene. Silver and gold reflectors in a variety of shapes and sizes. Their purpose is to affect the shadows in a scene. The gold will add a bit of warmth to your scene. The price depends on the number of flash heads and accessories, but also the quality.
You get what you pay for — some inexpensive kits may lack consistency. This means that either the color temperature, the power, or both can vary from burst to burst, so be careful with that. I hope this guide cleared up some confusion you may have had about the different types of studio lights and the multiple possibilities you have for a studio lighting setup. Also, feel free to share any tips or lighting equipment recommendations for your fellow photographers. Ana Mireles is a Mexican researcher that specializes in photography and communications for the arts and culture sector.
Enter your email to be sent today's Welcome Gift: 19 Photography Tools. Popular Types of Studio Lights for Photographers. This is a guide to the different types of studio lights available to photographers in Table of Contents. Credit: Pamela Sunders. Pros You can see the lighting effect in real-time Easier to manipulate Low cost.
Cons You need to set your white balance according to the bulb Some of them can overheat Cheaper kits only offer a fixed lighting intensity. Credit: Donovan Silva. Pros More power Better for freezing a moving subject Multiple intensities. Credit: Anna Shvets. Pros Price They often have tripods and modifiers included A great option to start up a studio. Cons Compatibility issues when you want to expand Quantity over quality Less flexibility.
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